Wuhan Urban Construction-Central Cloud King Clubhouse

The designer takes the diversified aesthetic styles under the fusion of modern Chinese and Western cultures as the entry point, extracts visual elements such as green tiles and red walls, patchwork tiles and engraved prints, and translates the unique visual language of urban impression, social background and images of the times into the expression of spatial design, calls and responds to the historical remains, and demonstrates the emotional connection between human beings and the space and the history, either directly or indirectly. In the time cross-section, the poetic and warmth of the “Flowery Years” is revived.

The entrance is introduced by a stone staircase, and the light of the water slightly ripples between the pools as one walks in. Wooden installations become the visual focus of the space, breaking the dullness and tastelessness, and the stacks of wooden blocks engraved with words are stacked together, contrasting with the rules and order of the steps.

 

The designer takes the diversified aesthetic styles under the fusion of modern Chinese and Western cultures as the entry point, extracts visual elements such as green tiles and red walls, patchwork tiles and engraved prints, and translates the unique visual language of urban impression, social background and images of the times into the expression of spatial design, calls and responds to the historical remains, and demonstrates the emotional connection between human beings and the space and the history, either directly or indirectly. In the time cross-section, the poetic and warmth of the “Flowery Years” is revived.

The entrance is introduced by a stone staircase, and the light of the water slightly ripples between the pools as one walks in. Wooden installations become the visual focus of the space, breaking the dullness and tastelessness, and the stacks of wooden blocks engraved with words are stacked together, contrasting with the rules and order of the steps.